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Showing posts with label j-pop. Show all posts
Showing posts with label j-pop. Show all posts

Saturday, December 25, 2010

Christmas Advertising in Hong Kong: Movie Stars, Pop Singers, and Clark Kent


Large Billboard Ad for Gary Chaw’s (曹格) Tour. It’s sponsored by Johnnie Walker.

HONG KONG, December 24 – Marketing and advertisements say a lot about a people. They highlight the best values of a culture as well as its shallowness. In Hong Kong, the corporate graffiti is everywhere you look. Your eyes can’t escape a product pitch or a public service announcement. Most Hong Kong denizens do their best to ignore them. I, on the other hand, obsess over their meaning and over-analyze their subtext. I also document them on this blog.

Wednesday, October 27, 2010

Shonen Knife at Asia Society


Emi Morimoto standing on her drums and Ritsuko Taneda rocking out.

New York, September 25 – As a part of their extravagant Yoshitomo Nara (奈良 美智) exhibition, Asia Society hosted a concert by Shonen Knife (少年ナイフ). Nara is a big fan of the band and designed some of their album covers including Happy Hour. In a larger sense, he has also credited punk music as being a major influence in his artwork.

In addition to the art exhibit, the performance was part of a new American tour that served as a coming out party for Shonen Knife's new drummer Emi Morimoto. She seemed to fit the band extremely well. Her drumming was exciting and filled with gusto.

Tuesday, February 23, 2010

The Polysics at The Blender: Technicolor Pogo Punk Explosion


NEW YORK, February 13 – On chilly Saturday night, I walked into a techno-rock explosion. The Polysics, a "technicolor pogo punk" band from Tokyo, played a one night engagement at the Blender Theater (Irving Plaza).

The Polysics are primarily known for their distinctive Devoesque sound and innovative music videos. Their music is a mix of classic techno-pop with a hard edge punk guitar. Having been raised on British New Wave, I was quiet partial to their synth-pop sensibilities.

I also enjoyed the geeky punk flavor of their stage show. Hiroyuki Hayashi, the lead vocalist, was very animated and charismatic. He was bouncing off the walls like bunny on speed and performed some comedically awkward hip thrusting. In several instances, Hayashi had the entire audience mimic some of his bizarre hand gestures and motions. The crowd loved the interaction.

At one point in the performance, Hayashi proclaimed that “Polysics will be your Valentine!”


The highlights of their performance were “Rocket”, “I My Me Mine”, and “Electric Surfing Go Go”.

The band played to a bizarre mix of fans. In the audience, there were hard core techno fans wearing Devo hats rocking out next to Japanese Goth kids. It was a pretty lively crowd.

Related Links:

Saturday, October 31, 2009

Happyfunsmile Afro Halloween Party


NEW YORK, October 30 – On the eve of Halloween, Happyfunsmile rocked the tight confines of the Forbidden City Bar and Lounge with an eclectic mix of Rock, Pop, Jazz, and traditional Okinawan music. The patrons were packed from wall to wall in the tiny bar, and they rocked out to joyous songs like the “Omatsuri Mambo”.

The band and quite a few patrons were cosplaying for Halloween. There were a lot of neko kitty ears and colorful hair pieces.

In the second set, the singers donned huge afro wigs of varying colors. Akiko Hiroshima had a bright electric pink afro wig that looked like a huge ball of cotton candy. It looked almost good enough to eat. Brian Nishii and Josh Rutner sported more traditional black afros. As they danced, the large fluffy wigs bounced around like a cheerleader’s pom poms. It was very festive.


Kossan rocking hard

The band also played a surprise cover of Yoko Kanno’s “Tank!” (Theme song to Cowboy Bebop) which really got the bar rocking.

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Saturday, October 17, 2009

A Night with Shonen Knife Fanatics


NEW YORK, October 16 –Shonen Knife, a veteran Japanese punk band, launched their US tour at the Santos Party House (96 Lafayette Street). They drew a sizable fanatical audience in the small venue and proceeded to deliver their special brand of punk rock music. It was great.

The band is a stripped down three member punk ensemble. There is nothing complicated. It’s just loud garage punk music with sensible pop hooks. I describe their sound as 70s New York punk with a sweet pop candy coating.

Shonen Knife started with a couple of hard punk anthems which immediately got the audience hopping around like bunnies rabbits on speed. The crowd was electrified and frenetic. They were also familiar with the band’s music and started screaming out song titles. This led Naoko Yamano, the lead singer, to remark that the New York crowd really knew their stuff.

The highlights of the performance were “Super Group”, “Riding on the Rocket”, and “Banana Chips”. At one point, the band performed “Ramones Forever” as a dedication to the Ramones. It was totally cool.


Shonen Knife meeting with fans

After their performance, Shonen Knife met with their fans. They spent nearly an hour signing merchandise, taking pictures, and talking to fans. It's no mystery that their fan friendly interactions have led to a very devoted and loyal fan base.

For more information on tour dates, you can check their MySpace page.

Related Links:

Thursday, July 16, 2009

Obon Festival in Bryant Park


Akiko Hiroshima sings for the Matsuri Dancers

NEW YORK, July 12The New York Buddhist Church held their 60th Annual Obon Odori in Bryant Park. The Obon Festival is a unique Japanese take on the Ghost Festival, which is celebrated throughout Asia.

This year's Bryant Park celebration was colorful and lively with performances by the Soh Daiko Drum Corp and Happyfunsmile. The event created a festive family oriented atmosphere with food, street odori dancing, and matsuri dancing.

I especially enjoyed the performance by Happyfunsmile. They displayed their amazing skills at getting the audience to dance. Their special brand of Okinawan pop and folk brought scores of people to the dance floor.

Happyfunsmile is playing a few Obon festivals in Los Angeles (July 25-26), and everyone should check them out. See the Happyfunsmile website for dates and times.


Related Links:

Friday, June 6, 2008

Up Late with Budo Grape


Quminco Grape and Nagai Grape

NEW YORK, June 5 — I had a late meeting at work, which ended at 8:45 PM. As soon as I got out of the meeting, the only thing on my mind was the Budo Grape performance.

Budo Grape is a Japanese electro-pop band from Nagoya. They are best known for their sugary electronic dance beats and the hi-octave vocals provided by Quminco Grape. They were performing to support Juice!, their greatest hits album.

Budo Grape was playing at the Knitting Factory (74 Leonard Street), and doors opened at 6:30 PM. They were on a bill with several other bands, and I figured that they were going to play closer to the end of the night. I had a slim chance of catching their performance.

I rushed down to the Downtown Express 1 train with Yan, a coworker. We got off at the Chambers Street Station. After a few blocks of walking, we made it to the Knitting Factory. I asked the door man if Budo Grape finished their performance. He told me that they just started playing. My gamble paid off...


Left to Right: Matsui Grape, Midori Grape, and Quminco Grape

They were only into their second song as I entered the small room. There were about twenty people in the audience, but the crowd was filled with die hard fans.

Budo Grape played a lot of their poppy hits with vigor. They are a fun band to watch live. The band exuded a fun and wacky sense of humor. The whole place had a positive fun vibe.

Quminco, the lead vocalist, was very entertaining. She had a very distinctive high pitched voice. It was even more distinctive live. She was also jumping around the stage like a crazy racquetball. Her bouncing was incredibly infectious. After a few songs, I was even hopping along with Quminco.

Midori, the band's self-proclaimed Mushroom alien, wrestles some great synth-pop sounds from her keyboards. Budo Grape's song are straight pop, but Midori's synthesizers added a wacky fun texture to the entire sound. Her playing creates a kinda of vocal harmony with Quminco's high pitched voice.

The rhythm section, Matsui Grape and Taichi Grape, were very good. In some songs, they even got a little funky. They were very cool.

However, the hardest rocker was Nagai Grape. The man can wield an axe. He tore through the entire set with sheer force. He was definitely the power behind their live show.

The highlights for me were: "Rescue Rescue" and "Penki Nuritate".


Budo Grape, Yan, and me

After their short set, the band spent some time with fans. They were willing to autograph anything including arms and legs. I'm not a big fan of autographs, so we just hung out with the band. They were awesome.

Related Links:

Sunday, June 1, 2008

Japan Day 2008: A Celebration of All Things Japanese


Main Stage, Central Park

NEW YORK, June 1 — On a beautiful spring day, the Japanese community of New York ran an amazing Japan Day Festival in Central Park. The festival was an all day event with tons of cool activities.

The festival began with a four mile race at 8 o’clock in the morning. I did not participate in the run. Now, I like running. On a normal day, I would have run the four mile race, but it was Sunday morning. Don’t get me wrong… I’m not religious, but Sunday mornings are sacred to me. I cherish my quiet Sunday mornings with late wake-ups and slow brunches.

At about noon, I lazily made my way to Central Park. I missed a lot of the morning programming, so I made a quick tour around the perimeter. The festival consisted of a main entertainment stage and activity booths encircling the audience area.


Go and Shogi Booth

The first booth was the Go and Shogi booth. There was a decent line of people waiting to play. I was amazed that there were a number of kids waiting to play traditional board games. I figured most kids were surgically attached to their Nintendo DS. It was cool to see young kids playing against older and more experienced players. Maybe, the popularity of Hikaru no Go (ヒカルの碁), manga and anime, has inspired younger people to play tradition board games again. I watched a few games before moving to the next booth.


Robot Battle Booth

The next booth was the Robot Battle booth. In this tent, they setup tables and small remote control robots (about 6 inches in height). The line was almost exclusively kids, and they absolutely loved it. Some of the robots were insect-like. They look very similar to mech designs by Masamune Shirow (士郎 正宗). One spider robot looked very similar to a Tachikoma (タチコマ). The line for the Robot Battle booth was pretty big.

After the Robot Battle booth, they placed a small tent with Actroid, a life sized (1:1 for you Gunpla builders) android. The robot was dressed in a kimono. It was supposed to be a very life-like human robot. Noah, host of the Ninja Consultants podcast, didn’t think it was really life-like. It was very similar to animatronic puppets found at major theme parks. Some people said that the innovation was the voice recognition and response system of the robot. The crowd of adult male geeks made it difficult to get close to the robot. I couldn’t get a good picture of it.

I continued to the last two activities booths.


Kimono Booth

The most popular booth was the Kimono Fitting booth. Women were measured and dressed in traditional kimono dresses. The line was monstrous. A festival staffer had to close the line. He held a simple cardboard sign that read "Line Closed". I guess the attraction is getting a photo in the full kimono. The kimonos were absolutely beautiful.


Hello Kitty Booth of Doom

The last booth was the most frightening sight ever. THE HELLO KITTY PHOTO BOOTH. The horror of Sanrio has a traveling road show. This line was also pretty big. It was pretty scary to see someone professionally cosplaying as Hello Kitty (ハローキティ). I will only refer to it as the Hello Kitty Booth of Doom. "CHIIZU" (チーズ)!

The main stage had some amazing acts scheduled. There were many cool acts such as Gaijin A Go-Go, Happyfunsmile, and HALCALI.


Happyfunsmile

The highlight for me was the Happyfunsmile set. Their shows are always filled with fun positive energy. They never fail to get a crowd excited and dancing. Their eclectic mixture of traditional Okinawan and modern pop music is infectious. Rodrigo Morimoto, a vocalist for Happyfunsmile, was noticeably absent from the line-up. However, the remaining vocalist (Brian Nishii, Akiko Hiroshima, and Kaori Ibuki) still managed to put on an amazing show.


Kaori Ibuki leading a dancing line

They were followed by HALCALI (ハルカリ), a Japanese pop/hip-hop duo. HALCALI is best known for their unusual mix of old school hip-hop and pop styling. I know them from their freaky music videos such as: "Strawberry Chips" (ストロベリーチップス), "Twinkle Star", and "Baby Blue". Most of their American anime fans know them for "Tip Taps Tip", a catchy pop song on the Eureka Seven (交響詩篇エウレカセブン) Original Soundtrack (OST). Most of the anime fans were waiting for their performance. They seemed a little nervous at first, but really hit their groove with “Tip Taps Tip”.

During the HALCALI performance, I ran into Erin and Noah, the Ninja Consultants. They were chillin’ with the some folks on the grass. It was the first time I got a close look at Erin’s famous bronze Byzantine engagement ring. It was very cool. Erin also introduced me to Carl, the creator of the Ogiue Maniax blog. He was a completely cool cat. We hung out for a little while before getting stuffed into the Downtown 6 train.


HALCALI

I also ran into some Metro-Anime folks such as Willow, Dan, and Charles. It was good to see them again.

Japan Day was a pretty cool and laid back afternoon in Central Park. It was good to see the Japanese community showcase their amazing culture in the heart of New York City.

Related Links:

Monday, May 19, 2008

JACON 2008: The Horror That Dare Not Speak Its Name


KISSIMMEE, May 18 — It's been nearly a month since my last blog post due to a very busy work schedule. This time I'm blogging from the sunny state of Florida. I'm here for the local anime convention known as JACON.

This year's JACON was held at the Orlando Sun Resort by Lexington (aka The Ramada Orlando Celebration Resort and Convention Center). The hotel recently changed their name, which caused a bit of confusion.

After I got to my room, I dropped my stuff and went directly to the convention center. As I walked into the hallway, I ran into television's Daryl Surat [Anime World Order (AWO) and Otaku USA]. We quickly rounded up some other people including Gerald (AWO) and Paul "Gooberzilla" Chapman (Greatest Movie EVER Podcast and Otaku USA). The group went to watch the live-action Speed Racer movie at the local IMAX Theater. It was a good film despite Gooberzilla's opinion. (I might write a review for this blog.)


Odin: Photon Sailer Starlight Midnight Endurance Marathon

At midnight, Joey Snackpants Esquire and Gooberzilla hosted the "Odin: Photon Sailer Starlight Midnight Endurance Marathon". They proceeded to show the entire uncut Japanese version of Odin: Photon Sailer Starlight (オーディーン 光子帆船スターライト). Joey and Goob injected their comedic commentary to this mess of film. It was the most sadistic experiment ever.

I was surprised that the crowd was pretty big at the beginning. However, they did not last. They never do... The crowd was struggling, but they made it through an hour of the movie. At that point, Daryl announced, "there is still another hour and twenty minutes to this show." This absolutely frightened the crowd, and half of the audience left the panel.

The movie ended at 2:30 AM. I was dead tired. A few people withered away. The remaining thirty-something people got free "I survived the Odin Endurance Marathon" t-shirts.

On the second day, I ran into Charles Feldmeth from the New York Metro Anime club. We browsed the dealers’ room, but nothing really enticed me. I usually don't buy a lot of con merchandise. I hate con impulse shopping. I always regret it later.

We had lunch and attended a Japanese Music panel. The panel played a lot of sugary pop acts. It was too pop for my tastes. I decided to take a break and took a nap in my hotel room.


Gerald's 80s Giant Robot Panel

I rejoined Charles at the Pelican (the Panels building). We joined the entire AWO crew, Gooberzilla, and their friends for the "80s Giant Robot Panel". It was Gerald's panel. He ran the panel as an open discussion.

As Gerald talked about the scope of Giant Robot shows, he played opening sequences from different mech anime show such as Gundam (ガンダム), The Super Dimension Fortress Macross (超時空要塞マクロス), and Go Lion (百獣王ゴライオン). It was an interesting panel, but he ran out of time.

He was followed by the "Manga Influence on American Comics" panel. It was run by final_fury and his special lady friend. They were originally slated for a two-hour block, but Joey had to reduce it to an hour. They also ran out of time, but they still managed to have an entertaining and informative panel.

We all went to grab a quick dinner and attended a private recording of the Snacktime Online Podcast with Joey Snackpants Esquire, Daryl, and Gooberzilla. You can listen to the podcast at The SNACKTIME ONLINE Podcast.


Max Pointing at Television's Daryl Surat (Panel of Doom)

After the podcast recording, we proceeded to "Panel of Doom". It was Daryl's one-man show of horror. It was pretty awesome. All I can say is "Once you watch it, you can't unwatch it!" I am legally prohibited from describing the panel. You have to see it for yourself.

The panel ended at about 2:30 AM. I called it a night.

On Sunday, I roamed the dealer room again. Some items were marked down, but they were still kinda high compared to other cons. I didn't get anything.

In summary, I had a good time at JACON. Joey and his crew put on a good show.

Related Links:

Friday, March 21, 2008

The Pillows Invade New York


NEW YORK, March 21 — The Pillows EFF-ING rocked. They were just eff-ing metal. The Pillows, a hit Japanese rock band, played to a sold out crowd at the Blender Theater (127 East 23rd Street).

Due to the popularity of the FLCL anime series, the Pillows have established a strong international fan base. The entire FLCL soundtrack is filled with many of their signature hits such as "Little Busters", "Monster", and "Ride on Shooting Star". It became an effective marketing vehicle for spreading their highly infectious sound.

For tonight's show, they played a mix of old and new songs. Their new songs were awesome, but their FLCL songs were the biggest hit. When the Pillows played a FLCL song, the New York audience would explode, and they would start jumping to the music. I could feel the whole place shaking as the audience rocked out.

My favorite moments included their live renditions of "Little Busters", "Come Down", and "Crazy Sunshine".

If you ever get the chance to see the Pillows in concert, you must see them. It was the best j-rock show that I've seen in a few years. I, Dessler, command you.

Related Links:

Monday, March 17, 2008

Japan Nite 2008: A Nipponese Sonic Explosion


SCANDAL

NEW YORK, March 16 — The Knitting Factory (74 Leonard Street) was ground zero for the Japanese music atom bomb called Japan Nite. Japan Nite, a one-night Japanese rock festival, unleashed four hours of hard Japanese rock on a New York City crowd.

Performers included: SCANDAL, The Emeralds, Petty Booka, Ketchup Mania, Detroit7, and THE BEACHES.

The night started with the candy rock sound of the all girl band, SCANDAL. SCANDAL wore Japanese school girl uniforms as they got the rocked the small stage. They got the audience excited and literal hopping in waves. They sang pop candy hits like "Space Ranger" and "Playboy". It was a great start to the Japan Nite Festival.

The next act was completely metal. The Emeralds took the stage with rock attitude. The Emeralds are a stripped down three man punk explosion. They were completely filled with raw energy and a loud sound. They took the audience to another level of rock nirvana. The audience was completely lost in the aggressive rawness of songs like "Talk about Love". Akio’s drumming was awesome. Osuke was entertaining, and Kazuya was metal. They were definitely one of the best acts on the Japan Nite ticket.


Petty Booka

The third act was a little unusual. After a high spirited punk rock session, two incredibly cute Japanese girls walked on to the stage with ukuleles. They were Petty Booka. They wore matching western styled dresses and cowboy hats.

The audience looked a little puzzled. The girls began to sing country and bluegrass tunes while playing ukulele. The audience was stunned. They didn’t know how to react to two Japanese girls singing classic country and blue grass songs. Judging from the colorful Mohawk haircuts in the audience, they were probably not expecting a Japanese country act. Some people went to the bar in the back of the Knitting Factory. A couple of audience members tried to imitate a country ho-down with little success. I thought Petty Booka was a very cute and very cool musical act even though they seemed a little out of place.

Ketchup Mania, a veteran Japanese ska-punk band, was the next act to take the stage. Ketchup Mania rocked hard, and the rockers rejoined the audience. Their music is a mix of ska-punk attitude and pop sensibility. It was clearly evident that they had a strong New York fan base. I noticed audience members singing along with their signature hits like "Real Yaayo". Hiro’s vocals were amazing.


Ketchup Mania

During Ketchup Mania’s set, a mosh pit began to form, and it took up the entire floor. I’m usually a big support of kicking ass in a mosh, but it was ridiculously stupid. The Knitting Factory is a small place. The audience floor is tiny, and the mosh pushed all the non-mosh audience members against the walls. In a larger rock-only venue, mosh pit rules the floor and let the weak at heart beware. However, Japan Nite was an eclectic musical event with a mixed audience of punks, rockers, pop fans, and weeaboos. There was no place for moshing.

After Ketch Mania’s amazing set, they were followed by Detroit7. Detroit7, another veteran Japanese punk band, tore through the place with no-frills punk music. Their music is simple garage punk at its finest. The shoeless Tomomi Nabana was intense in her vocals and guitar work. The band was electrified, and the audience responded with their own energy. They definitely rocked the venue with a killer set. Detroit7 preformed hits like "Beautiful Song" and "Shot My Right Temple". They were definitely one of the major highlights of the Japan Nite line-up.


Detroit7

THE BEACHES closed the night with their unique reggae sound. They provide the hard rocking Japan Nite with a soft landing. They jammed until midnight, and the audience was exhausted.

Overall, Japan Nite was an awesome mix of Japanese rock, pop, punk, ska, and country. Japanese music rarely gets any exposure in an American music market that is saturated with Anglo-American acts. It was an awesome night of live music.

Related Links:

Friday, February 22, 2008

Happyfunsmile Unplugged

NEW YORK, February 19 — On an extremely windy night, I went searching for the Aruba Bar Lounge (100 Park Avenue) in order to attend a Happyfunsmile performance. The bar was a hidden side room in the Peking Park Restaurant.


Aruba Bar Lounge had a strange atmosphere. The place was much smaller than the Forbidden City Bar and Lounge, Happyfunsmile’s home bar. It was also very darkly lit except for the stage area. The stage lights consisted of a strange mix of candy red and yellow-orange hues. The stage light gave the whole room a reddish glow.

Aruba Bar Lounge was a tiny room with a huge horseshoe shaped bar in the center. It was strangely cramped. The bar occupied most of the room, and the seating area was thin strip between the bar and the wall. This made it difficult to walk around the bar. The customers were literally up against the walls. The bartenders had a huge work space.

I quickly found a seat at the bar and ordered a few drinks. I started looking for the band. I couldn’t find any colorful wigs or Japanese Happi coats, which have become distinct parts of a Happyfunsmile performance. After a few minutes, I took a closer look around the bar and began to recognize Brian Nishii, Rodrigo Morimoto, Akiko Hiroshima, and Kaori Ibuki. They were dressed in their normal casual street attire. I barely recognized any of the band members without their bright outfits and neon colored wigs. Happyfunsmile decided to perform a stripped down show.

The stage area was extremely small. Only a handful of band members could fit in the stage area at one time. The rest of the band hung out at the bar. The musicians had to rotate every couple of songs throughout the night. Happyfunsmile performed some amazing acoustic versions of their songs.


At one point, Brian and Rodrigo took the stage to sing a duet. Brian tried his impression of Michael Jackson a la "Smooth Criminal", while Rodrigo went into his suave crooner mode. They sang a few tunes together. During the set, Akiko and Kaori sat behind me at the bar, and they began to sing background vocals. At first, I was a little surprised at the voices coming from behind my barstool. The main band played in front of the bar, and Akiko and Kaori sang behind my chair. It created a weird surround sound effect around my seat.

The whole night was very strange. The oversized bar, the tiny room, the strange lighting, the stripped down performance, and the surround sound effects combined to create a surreal experience. The whole scene was straight out of a David Lynch film.

Related Links:

Sunday, December 16, 2007

Happyfunsmile Christmas: New York Anime Festival After After Party!


Happyfunsmile at Forbidden City

NEW YORK, December 12 — Brian and the entire crew at Happyfunsmile rocked the Forbidden City Bar and Lounge (14th Street & Avenue A). This was their last performance of the year, and they were in great form. They played three fantastic sets of Okinawan pop.

Peter Tartara, the Programming Manager of the New York Anime Festival, declared this the "After After Party" of the convention. I met up with Peter and Petrina at the bar. They introduced me to Newton, another alumni of Central Park Media. They were very cool. We traded anime convention war stories with each other. It was great fun.

After the first set, Ame, Detour Noir Studios writer and artist, rolled into the bar with a couple of friends. They joined me at the bar. We enjoyed the Happyfunsmile music with hard liquor and good food. Happy Holidays to Happyfunsmile and everyone at the Forbidden City!

Tuesday, December 11, 2007

The New York Anime Festival: Hard Drinks and Harder Karaoke, Part 1


NEW YORK, December 8 — The New York Anime Festival was a very cool anime convention. Peter Tatara did an amazing job with putting together this convention.

I could only attend the very last hour of Saturday's show (December 8). I was stuck at work until 5:30 PM because of an insane amount of paperwork. After work, I raced over to the Jacob K. Javits Convention Center with all haste. I got to the convention at roughly 6:30 PM. I got a little lost, and I had a tough time finding the registration.

After all the pain of getting my badge, I walked around the convention looking for the Otaku USA panel. I ran into Angela, Mandisa, and Dan from the local Metro-Anime club. They seemed to be shopping happily. They had the anime con game down to a science. I talked to them for a little bit.

Otaku USA panel. Left to Right: Joel White, Dave Riley, and Daryl Surat

After some searching, I found the Otaku USA panel and stayed for the very last minutes of the panel. After the panel ended, I got to meet-up with some friends. The group consisted of Dave Riley (Fast Karate for the Gentleman), Joel White (Fast Karate for the Gentleman), Daryl Surat (Anime World Order), Erin (Ninja Consultants), Patrick Macias (Otaku USA), and Matt Burnett (for tax reasons).

After the convention, the group met up with other very cool cats including Noah (Ninja Consultants), Chris Oarr (ADV Films), Zac "Answerman!" Bertschy (Anime News Network), and other members of ANN. Patrick took his leave.

Karaoke All-Stars. Left to Right: Daryl Surat, Erin, Noah, and Joel White

The rest of the group found it's way to a local karaoke bar in Koreatown, NYC. Everyone took turns rocking the mic. It was a crazy round-robin of embarrassing 80s pop hits and hard edged rock-n-roll classics. Erin rocked the Bon Jovi play list, while Chris belted out some great classic rock hits. I worked some Steppenwolf. Noah, Zac, MCBurnett, and Joel also rocked the mic pretty hard. There were awesome performances from everyone. It was a night of All Stars Karaoke players.

Our voices were fueled with a powerful mixture of Japanese snack foods and alcohol.


The Ninja Consultants: Erin and Noah. The fiercest tag team since Demolition.


However, we were all humbled by Dave Riley, the grandmaster of the mic. His Kung-fu was in top form. Pai Mei would be proud of Dave, his spiritual disciple. Dave sang everything from Back Street Boys to the JAM Project.

Masters of the Wu-tang school of karaoke.

We rock hard so you don't have to... to be continued (Part 2).

Thursday, November 1, 2007

Happyfunsmile Halloween!


Happyfunsmile at Forbidden City

NEW YORK, October 31 — I celebrated Halloween at the Forbidden City Lounge. However, it took me almost forty-five minutes to fight my way through the New York City Halloween parade.

If you never experienced the New York Halloween Parade, it is another world. Basically, it's a huge outdoor cosplay party with millions of people. The parade stretches across a good portion of Sixth Avenue. It's so big that it usually spills over to Fifth Avenue and Seventh Avenue.

The pedestrian traffic was really brutal. I was tiptoeing through the crowd. I had to push and elbow my way out of the parade. My limited Jiu-jitsu skills became very useful in the crowd of cosplayers. I was lucky to get over to Forbidden City.

I did come across one girl who was dressed as Pris from Blade Runner. She had one large band of black eye shadow. She also had the teased out blonde hair. I didn't get a picture of it. I was too busy fighting my way through the crowd. Damn, I should have tried to get a photo of her. Ohh… well.

Happyfunsmile, a local Okinawan pop band, played a special Halloween show in front of the Forbidden City bar. The space was really tight, but they managed to rock the house. This was my second time watching them perform. They were great.


Peter Tatara, his girlfriend, and me.

I also had the chance to drink with Peter Tatara and his girlfriend. He was cosplaying as Urahara from Bleach. Peter is the Programming Manager for the New York Anime Festival. He recently got Patrick Macias as a guest for the festival, which is pretty awesome. New York City anime fans will get to meet the man behind OtakuUSA.

We had a few drinks and enjoyed the music of Happyfunsmile. Overall, it was a very cool night.

Tuesday, September 18, 2007

The Slow Death of Little Tokyo


Kamikaze Anime, Storefront


LOS ANGELES, September 17 – I went looking for anime and manga during my trip to Los Angeles. I started with the most obvious location, Little Tokyo. I was puzzled by the lack of video and book stores in the area. My friend said that the area was hit pretty hard by the poor economy. The number of Japanese specialty stores was shrinking. Some stores moved away, and other stores completely disappeared. In addition, many second and third generation Japanese Americans were moving away. The Japanese Californian population is very scattered.


Wall of Manga, Kamikaze Anime


I did manage to find one anime/manga store. It was called Kamikaze Anime. It sold mostly imported manga, region 2 DVDs, J-Pop, and anime merchandise. The store had an impressive wall of manga displayed in the back. It was pretty cool. They also sold Japanese school uniforms. The uniforms were a little big for Japanese school children, but they were perfect for American cosplaying otaku.



Ready to Wear Cosplay, Kamikaze Anime


Even the Japanese malls were pretty bare and depressing with closed stores and unlit windows. The place felt neglected. The only anime related store in the mall was a Sanrio store. I'm not a big fan of Hello Kitty, but I had to check out the Hello Kitty garbage cans. There is a huge Sanrio store in New York that I have never visited. Yet, I feel strangely compelled to go to the one in Los Angeles. Creepy…


Sanrio Store, Little Tokyo Mall


I think Sanrio stores are like cockroaches. They will survive anything… bad economies, earthquakes, hurricanes, floods, and even Global Thermonuclear War! Joshua…


Shall we play a game?

Wednesday, August 15, 2007

The Asian American Arts Alliance's Soundfest 2007


The Jack Lords performing at The Asian American Arts Alliance's Soundfest 2007


NEW YORK, August 15 — The Asian American Arts Alliance's Soundfest 2007 (August 11, 2007) rocked the fat ass. It was truly a pan-asian festival. The festival created an open atmosphere at Chinatown's Columbus Park. The acts ranged from Indo-Jazz to Hawaiian Rock. It was a truly unique amalgamation of music.

It was all ages. Young Adults, senior citizen, and little children enjoyed the rock and jazz music. Very cool... I look forward to the next Asian American Arts Alliance's Soundfest.

Some of the highlights were: The Jack Lords, HappyFunSmile, and Slanty Eyed Mama.

More Info on The Asian American Arts Alliance:
www.aaartsalliance.org

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James Leung Man-Fai