Tuesday, March 9, 2010

Too Cute: American Style and the New Asian Cool (Day 1)

PRINCETON, March 3 — Princeton University hosted an academic conference about Asian American pop culture aptly named "Too Cute: American Style and the New Asian Cool Conference". The panels and schedules were arranged by Professor Anne-Anlin Cheng.

Child Love

Anne Higonnet, an Art Historian from Columbia University, started the panel with a presentation on the connection between the cultural concept of cute and definitions of childhood. She frequently referenced Haruki Murakami (村上春樹) and his artwork. Higonnet also mentioned Murakami uncanny ability to co-opt commercial product such as his line of custom designed Louis Vuitton hand bags.


Murakami's Version of the Louis Vuitton Hand Bag

Higonnet was followed by Christine Bacareza Balance. Balance, a University California - Irvine professor and vocalists for the Jack Lords Orchestra, conducted a presentation about Filipina Child Pop Stars. Her lecture was mainly focused on the cultural and political undertones in Filipino Pop Music. In her discussion, Balance talked about the impact of YouTube, American R&B influences, karaoke, and Filipino “palabas” concept. She used Charice Pempengco’s rise to stardom as a case study for her presentation.

Gertrude Ederle

Joon Lee, an English professor from the Rhode Island School of Design, read passages from one of his novels.

Girls on Girls

After a short lunch break, the conference continued with a panel about “Asian cool” from the perspective of girls.


Karen Tongson, a professor of English and Gender Studies at the University of Southern California, discussed the internet pop phenomenon known as “Rin on the Rox”. Tongson began her discussion by outlining the cultural factors that lead to the emergence of the two Filipino American internet pop idols. She also talked about the deeper cultural trends surrounding the duo. Tongson emphasized topics such as sexual undertones, homophobic reactions, and the modern perception of womanhood in the media.

The next presentation was conducted by Laura Miller, Anthropology professor from Loyola University. Miller’s lecture was primarily concerned with the Japanese concept of “kawaii”. As an anthropologist, she approached the topic by categorizing the different types of “kawaii” found in Japan. She made a clear distinction between regular “kawaii” (cute) and “kimo kawaii” (grotesque cute). At this point, Miller started to couch her argument in a resistance framework. She characterized “kimo kawaii” as a rebellious act by Japanese girls against the commercial exploitation of the “kawaii” paradigm.

The Keynote Address: Eating Rice with a Fork


The day ended with an amazing keynote address by Eric Nakamura, co-founder of Giant Robot Magazine. Nakamura conducted a quick history of Asian American pop culture including personal stories about his own identity as a Japanese American. He described growing up as a product of two cultures that were intermingled. In an attempt to illustrate this “mashup” of identities, he humorously remarked that, “I eat rice with a fork.” The Ivy League audience enjoyed his wit and entertaining slide presentation. Towards the latter half of his address, he talked about the early days of Giant Robot Magazine and the evolution of the brand.

Monday, March 1, 2010

Tibetan Punk New Year Celebration


Patti Smith

NEW YORK, February 26 — On a chilly winter night, I attended the 20th Annual Tibet House Benefit Concert at Carnegie Hall (West 57th Street and 7th Avenues). The concert supports Tibet House's on-going efforts to preserve the living culture of Tibet. Also a portion of the proceeds benefit The Tibetan Community of New York and New Jersey and Doctors without Borders (Médecins Sans Frontières).

This year's concert was packed with tons of great punk acts. The audience seemed electrified as they rushed the stage several times. They were promptly restrained by the Carnegie Hall security detail. It's was one of the livelier benefit concerts in recent memory.

The performers included: Philip Glass, Bajah + The Dry Eye Crew, Gogol Bordello, Tenzin Kunsel, Iggy Pop, Patti Smith, Regina Spektor, Jesse Smith, Michael Campbell, Drepung Gomang Monks, and others.


Philip Glass

The concert started with very somber openers. The Drepung Gomang Monks began with their traditional throaty chant. They were followed by a minimalist musical segment by Philip Glass and a passionate set of soft jazzy folk music by Regina Spektor. The only exception to the subdued tone was the colorful Reggae style beats performed by Bajah + the Dry Eye Crew.

In a sudden change of pace, the atmosphere suddenly exploded when Gogol Bordello took the stage. Eugene Hütz, the lead singer of the band, performed an acoustic set of three Gypsy inspired punk tunes that excited the crowd. Younger audience members rushed the stage blissfully unaware of Carnegie Hall’s reserved decorum. The venue’s staffer and security detail quickly held them back.

Gogol Bordello was soon followed by the amazing Patti Smith. Smith started her set with the R&B classic “Love Train”. The increased volume of her performance resulted in a lot of unintended audio feedback. She was visibly annoyed with the audio problems but powered through her set. During Smith’s set, the audience again rushed the stage to the dismay of the venue’s security personnel. She finished her set with a powerful rendition of “Gloria”. The audio feedback problems resurfaced in her final song, and she tossed the microphone stand across the stage. Smith sang the rest of the song with microphone in hand.


Iggy Pop
The closer was the legendary Iggy Pop. Pop walked onto the stage with a black long sleeved shirt which he promptly discarded. He began his set with “The Passenger”. The audience went wild, and the crowd in front of the stage grew. The security could barely keep order. At the start of “I Wanna Be Your Dog”, Pop even jumped into the audience in an attempt to crowd surf. According to Rolling Stone Magazine, “nobody caught him.”

During his set, Pop also had the same feedback problem that Smith experienced. Frustrated he stuffed the microphone in his jeans. Then he proceeded to pick up the microphone stand and repeatedly hammered the pristine hardwood floors of the Carnegie Hall stage. You could see the worried expression on some of the Carnegie Hall staffers.

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Thursday, February 25, 2010

Buy Mi: Hong Kong Billboards and Advertisements [2009 Back Post]

NEW YORK, February 25 – While hang out in Hong Kong (December 2009), I paid close attention to local advertisements and billboards. It's always fascinating to observe local marketing campaigns. Here are a few interesting Hong Kong advertisements:


Love Mi, Sammi!

Sammi Cheng (郑秀文), the hugely popular Canto Pop singer, had a giant billboard covering the entire side of a building in the Tsim Sha Tsui district. It was so big that I had trouble fitting the entire poster in the viewfinder of my camera. The object in the foreground is a street light which should give you a sense of scale. The billboard was promoting Cheng's Love Mi tour which was being sponsored by Johnnie Walker.


The Tomino-esque Thing

Mass Transit Railway (MTR), Hong Kong's subway system, is the lifeline of the city. It's also my preferred method of travel. On several subway cars, I found Gundam posters. It was a cross promotional effort between the Gundam franchise and the MTR.


Learn to Shot -> John Woo Style

During my visit to Hong Kong, the city was hosting the 2009 East Asian Games which is kinda like a mini-Olympics for Asia. The city was covered with banners promoting the event. They made a unique banner for each sport, but this one caught my eye. The locals nicknamed this event "The John Woo Challenge".


Danny Wears a Seiko

On my way to breakfast, I unintentionally ran into posters of Daniel Wu (吳彥祖) at a Kowloon watch store. Wu, a fellow Giant Robot Magazine writer, was endorsing Seiko's line of Criteria watches. In addition to being a writer, I hear he does some acting on the side...


The First Circle of Hello Kitty

Cool Japan comes to the Hong Kong subway. Hello Kitty, the official ambassador of the color pink, enticed Hong Kong commuters to spend their holiday in Japan. The Japanese tourism posters were displayed throughout the MTR subway system, and Admiralty Station was completely transformed into the Hello Kitty Station. I'm sure that this is a sign of the Apocalypse.


Journey to Mong Kok

Here is another interesting subway poster. The Monkey King doesn't want you to monkey around on the escalators. Public transportation is serious business.


Doraemon Pulled This Out of His... Pouch?

In a lift leading to a pedestrian overpass, I found these instructional safety stickers with Doraemon(ドラえもん). Yes, trust the imaginary flying blue marsupial.


Let Them Eat Idol Christmas Cake

The Maxim cake company is notorious for using very attractive girls and female pop idols in their advertisements. The white fluffy concoction on the left is the "Angel Christmas Cake", and the sugary chocolate guilt trip on the right is the "Devil Christmas Cake".

Tuesday, February 23, 2010

The Polysics at The Blender: Technicolor Pogo Punk Explosion


NEW YORK, February 13 – On chilly Saturday night, I walked into a techno-rock explosion. The Polysics, a "technicolor pogo punk" band from Tokyo, played a one night engagement at the Blender Theater (Irving Plaza).

The Polysics are primarily known for their distinctive Devoesque sound and innovative music videos. Their music is a mix of classic techno-pop with a hard edge punk guitar. Having been raised on British New Wave, I was quiet partial to their synth-pop sensibilities.

I also enjoyed the geeky punk flavor of their stage show. Hiroyuki Hayashi, the lead vocalist, was very animated and charismatic. He was bouncing off the walls like bunny on speed and performed some comedically awkward hip thrusting. In several instances, Hayashi had the entire audience mimic some of his bizarre hand gestures and motions. The crowd loved the interaction.

At one point in the performance, Hayashi proclaimed that “Polysics will be your Valentine!”


The highlights of their performance were “Rocket”, “I My Me Mine”, and “Electric Surfing Go Go”.

The band played to a bizarre mix of fans. In the audience, there were hard core techno fans wearing Devo hats rocking out next to Japanese Goth kids. It was a pretty lively crowd.

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