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Showing posts with label drinking. Show all posts
Showing posts with label drinking. Show all posts

Wednesday, July 28, 2010

SDCC 2010: Crossroads and Connections


Plushy Stand at the Giant Robot booth

San Diego, July 22 – The San Diego Convention Center opened its doors for the first full day of Comic-con International. Standing behind the plushy Totoro (トトロ) dolls at the Giant Robot booth, I was prepared for the onslaught of attendees.

First David Choe Signing

Our first major event was a signing by David Choe. Choe has been a major artist and painter in the Los Angeles art scene for the last several years. His pop sensibilities and graffiti style artwork has garnered a huge following among both art collectors and street artists. It’s a balancing act that keeps Choe's work on the cutting edge of the avant-garde.


Line for Dave Choe signing

Even before Choe’s arrival, his fans were lining up for the event. They were eager to chat with the artist and get their stuff signed.

Monday, March 3, 2008

Exhibition: Helen Cho's "Ideal and Emergence"


NEW YORK, February 23 — On a gloom and cold Saturday night, I attend the opening of Helen Cho's "Ideal and Emergence" gallery show at the Derek Eller Gallery (615 West 27th Street). Cho is a Korean born Canadian artist who lives and works in Berlin. Her work is main illustrative with noticeable influences from both modern American pop culture and tradition European fine art traditions.


"Ideal and Emergence" exhibition was mainly populated by her ink on leatherette works. They make references to movies such as Gorillas in the Mist (1988) and Stanley Kubrick's 2001: A Space Odyssey (1968). They are displays of highly refined technical skills with line art. The precision and quality of her work are remarkable. Most of the leatherette pieces were monochromatic. The inks were all black, and the canvases were pale beige colored leatherettes with a slight hint of pink. Cho selectively added the red highlights to some pieces to break up the monochrome rhythm in her show. It also added a bit of flair.


In a back room, the Derek Eller Gallery also displayed two larger computer generated works by Alyson Shotz. They were full color symmetrical compositions of flower arrangements. They look like center pieces for a wedding. The computer generated colors and tones are very stiff and cold, which is very typical with Western printing standards.

As for the gallery opening, crowd was packed with a young hip New York crowd. The exhibition had a heavy turn out, and the space was crowded. I was initially impressed by the size and energy of the crowd. After I walked around the gallery for a bit, I found a huge ice bin of cold beer at the front of the gallery. Maybe, this had something to do with the large crowds.


Related Links:

Thursday, December 13, 2007

The New York Anime Festival: Hard Drinks and Harder Karaoke, Part 2

NEW YORK, December 9 — After the ending ceremonies of the New York Anime Festival (December 9), some people took the party to the Forbidden City Bar and Lounge (13th Street & Avenue A). This is the so-called "After Party". The bar had half price drinks for everyone with the New York Anime Festival badge. This badge discount gave everyone a quick and cheap infusion of alcohol.

New York Anime Festival After Party at Forbidden City.

The post-con gathering consisted of con attendees, cosplayers, dealer room merchants, and volunteers. Party goers came to the bar as individuals or small groups. I tried to corral everyone with con badges around the tables in the back of the bar. Most of the party goers were strangers, but they quickly became fast friends.

After some heavy drinking, the group quickly moved over to the karaoke bar across the street. No, it was not my idea. The group was pulled by the gravitational forces of the karaoke machine. It was against my better judgment, but my better judgment was impaired by several Jack Daniels.

Looking for the perfect karaoke song.

The karaoke bar was extremely small, and they only had one karaoke machine hooked up to several televisions in the bar and lounge area. The bar supplied us with little yellow post-its. We wrote our song selection on the post-it and gave it to the bartender. The bartender put the post-its on a board. All requests were placed in a single queue on the board. As song came to the top of the queue, the bartender punched the song numbers into the karaoke machine, and he handed out the microphones.

The first song was free, but each additional song was $2. I put in my song and waited for quite a long time. The queue was freaking long. In the meantime, Jess, a cosplayer, got her song on the machine. Jess and a few other otaku got together to sing Weird Al Yankovic's "White & Nerdy". It was a surreal experience.

Otaku singing "White & Nerdy".

When my song came on, I rocked the bar with Harvey Danger's "Flag Pole Sitta". I was jumping around and screaming the lyrics with a drunken confidence. Shortly after I exorcised my karaoke demon, I took a short rest. After a few more songs, we all left the bar and went home. It was a hard rocking finish to an awesome weekend.

And yes... this round of karaoke was also fueled by drinking.

Tuesday, December 11, 2007

The New York Anime Festival: Hard Drinks and Harder Karaoke, Part 1


NEW YORK, December 8 — The New York Anime Festival was a very cool anime convention. Peter Tatara did an amazing job with putting together this convention.

I could only attend the very last hour of Saturday's show (December 8). I was stuck at work until 5:30 PM because of an insane amount of paperwork. After work, I raced over to the Jacob K. Javits Convention Center with all haste. I got to the convention at roughly 6:30 PM. I got a little lost, and I had a tough time finding the registration.

After all the pain of getting my badge, I walked around the convention looking for the Otaku USA panel. I ran into Angela, Mandisa, and Dan from the local Metro-Anime club. They seemed to be shopping happily. They had the anime con game down to a science. I talked to them for a little bit.

Otaku USA panel. Left to Right: Joel White, Dave Riley, and Daryl Surat

After some searching, I found the Otaku USA panel and stayed for the very last minutes of the panel. After the panel ended, I got to meet-up with some friends. The group consisted of Dave Riley (Fast Karate for the Gentleman), Joel White (Fast Karate for the Gentleman), Daryl Surat (Anime World Order), Erin (Ninja Consultants), Patrick Macias (Otaku USA), and Matt Burnett (for tax reasons).

After the convention, the group met up with other very cool cats including Noah (Ninja Consultants), Chris Oarr (ADV Films), Zac "Answerman!" Bertschy (Anime News Network), and other members of ANN. Patrick took his leave.

Karaoke All-Stars. Left to Right: Daryl Surat, Erin, Noah, and Joel White

The rest of the group found it's way to a local karaoke bar in Koreatown, NYC. Everyone took turns rocking the mic. It was a crazy round-robin of embarrassing 80s pop hits and hard edged rock-n-roll classics. Erin rocked the Bon Jovi play list, while Chris belted out some great classic rock hits. I worked some Steppenwolf. Noah, Zac, MCBurnett, and Joel also rocked the mic pretty hard. There were awesome performances from everyone. It was a night of All Stars Karaoke players.

Our voices were fueled with a powerful mixture of Japanese snack foods and alcohol.


The Ninja Consultants: Erin and Noah. The fiercest tag team since Demolition.


However, we were all humbled by Dave Riley, the grandmaster of the mic. His Kung-fu was in top form. Pai Mei would be proud of Dave, his spiritual disciple. Dave sang everything from Back Street Boys to the JAM Project.

Masters of the Wu-tang school of karaoke.

We rock hard so you don't have to... to be continued (Part 2).

Saturday, December 1, 2007

REVIEW: Akira Kurosawa's Drunken Angel (Criterion Collection)


NEW YORK, November 30 — The folks at Janus Films and Criterion Collection recently released the latest high-definition digital transfer of Akira Kurosawa's Drunken Angel (released November 27, 2007).

As part of their standard production, Drunken Angel is a masterfully authored DVD with an amazing accompanying booklet. The packaging reminds me of old rock albums that were accompanied with original artwork and great liner notes. Packaging and good liner notes are slowly becoming a lost art with cheap DVD releases, Thinpaks, and direct downloads.

The Criterion DVD also has great extras like old archive interviews with Kurosawa and commentary by Donald Richie. Donald Richie is the author of A Hundred Years of Japanese Film: A Concise History.

Drunken Angel's Criterion Collection Packaging and Liner Notes.

I have to confess that I'm a huge Akira Kurosawa fan. I have most of Kurosawa's movies in the restored Criterion Collection editions.

Drunken Angel is not characteristic of Kurosawa's later samurai movies like Rashômon or Seven Samurai. It's closer in tone and content to his earlier films dealing with post World War II Japan such as Stray Dog and Ikiru. It deals with many of Japan's post war problems such as crime, disease, and poverty. These themes are the pillars of Kurosawa's early noir classics.

In many ways, Drunken Angel is a precursor to Kurosawa's more famous Ikiru. Ikiru is one of my all time favorite films. Both films deal with issues of fatal diseases and poverty in Japanese society. Drunken Angel seems a little raw in comparison with Ikiru. In this film, Kurosawa was still looking for his own voice and style. Some scenes seem like pale imitations of Italian neorealism and Russian silent films. There were also some scenes that didn't seem like Kurosawa at all. (Note: Both of these styles are hugely influential on Kurosawa's own directorial style.)

The main story centers on the two main characters played by Takashi Shimura and Toshirô Mifune. Both Shimura and Mifune play notable samurai in Kurosawa's Seven Samurai movie. In Drunken Angel, Shimura plays a drunken doctor, who treats poor patients in his small clinic. Mifune plays a gangster that is diagnosed by Shimura with a deadly case of tuberculosis. Shimura directly confronts the gangster with his illness.

Shimura's directness was shocking to a Japanese audience because of Japanese medical practices at the time.

In the 1940s and the 1950s, it was common for Japanese doctors to lie to their patients about deadly ailments like cancer and tuberculosis. Japanese doctors believed that news of a fatal disease would be like handing a death sentence to a patient. The news would impair a patient from living the rest of their lives with any sense of normalcy. Kurosawa often criticized this medical practice in his early films. The practice of concealing fatal diseases prevented Japanese society from dealing directly with the problems of poverty and poor health.

In post war Japan, many Japanese died of deadly diseases from poor living conditions, poor hygiene, and polluted water. Disease and hygiene became very serious issues, and Kurosawa explores these issues in Drunken Angel.

If you don't mind some of the raw elements, I recommend that you watch Drunken Angel. It is not one of Kurosawa more polished films, but it does not disappoint. The film has passionate performances from both Shimura and Mifune, and Kurosawa's directing and editing are emotionally powerful.

Related Links:
Criterion Collection: Drunken Angel
IMDb: Akira Kurosawa
Wikipedia: Akira Kurosawa
Wikipedia: Tuberculosis

Thursday, November 1, 2007

Happyfunsmile Halloween!


Happyfunsmile at Forbidden City

NEW YORK, October 31 — I celebrated Halloween at the Forbidden City Lounge. However, it took me almost forty-five minutes to fight my way through the New York City Halloween parade.

If you never experienced the New York Halloween Parade, it is another world. Basically, it's a huge outdoor cosplay party with millions of people. The parade stretches across a good portion of Sixth Avenue. It's so big that it usually spills over to Fifth Avenue and Seventh Avenue.

The pedestrian traffic was really brutal. I was tiptoeing through the crowd. I had to push and elbow my way out of the parade. My limited Jiu-jitsu skills became very useful in the crowd of cosplayers. I was lucky to get over to Forbidden City.

I did come across one girl who was dressed as Pris from Blade Runner. She had one large band of black eye shadow. She also had the teased out blonde hair. I didn't get a picture of it. I was too busy fighting my way through the crowd. Damn, I should have tried to get a photo of her. Ohh… well.

Happyfunsmile, a local Okinawan pop band, played a special Halloween show in front of the Forbidden City bar. The space was really tight, but they managed to rock the house. This was my second time watching them perform. They were great.


Peter Tatara, his girlfriend, and me.

I also had the chance to drink with Peter Tatara and his girlfriend. He was cosplaying as Urahara from Bleach. Peter is the Programming Manager for the New York Anime Festival. He recently got Patrick Macias as a guest for the festival, which is pretty awesome. New York City anime fans will get to meet the man behind OtakuUSA.

We had a few drinks and enjoyed the music of Happyfunsmile. Overall, it was a very cool night.