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Showing posts with label tokusatsu. Show all posts
Showing posts with label tokusatsu. Show all posts

Tuesday, November 9, 2010

Kaiju Heroes: Men in Rubber Suits


Haruo Nakajima taking a break between takes.

NEW YORK, November 9 – In Japanese kaiju (怪獣) films, the faces of the most memorable players are never seen on the silver screen. They are the kaiju actors who breathe life into fantastic monsters like Godzilla (ゴジラ) and Gamera (ガメラ). Suffering underneath thick layers of latex rubber, they lumbered around complex miniature cityscapes in order to create movie magic. They are literally where “the rubber meets the road.”

Monday, October 18, 2010

NYCC 2010: Saturday Funnies


Ultraman (ウルトラマン) Cosplayer

New York, October 9 – Saturday is probably the busiest day during the New York Comic Con. I arrived early for many of the interesting panels including the Spotlight on Harper Collins, Digital Comics & Distribution, and Sushi Typhoon.

Vampires, Witches, and Zombies. Oh my...


Spotlight on Harper Collins. Seated (Left to Right): Erika Tsang (editor), Margaret Ronald (author), Jeaniene Frost (author), and Pamela Palmer (author).

I popped into this panel to check out the announcements and support my cousin Erika Tsang. She is an Executive Editor at Avon Romance. The panel announced several supernatural romance fiction titles such as Majorie Liu's In the Dark of Dreams, Jeaniene Frost's Side of the Grave, and Kerrelyn Sparks' Vampire Mine. Despite the romance nature of the imprint, the line was filled with sexy vampires, powerful witches, and zombies invasions. The trend in romance fiction is leaning towards the supernatural with the popularity of book series like The Twilight Saga and The Southern Vampire Mysteries (True Blood).

Tuesday, October 12, 2010

NYCC 2010: The Brave and The Geeky


Cosplaying Couple posing as Superman and Wonder Woman.

New York, October 8 – Due to a late night pre-con party, I arrived to the New York Comic Con 2010 late on the Friday afternoon. There weren't too many interesting panels except the Aniplex one. I had a difficult time finding the press office to pick-up my badge, and the volunteers at registration had no clue. I wandered a bit and eventually got my badge. I headed over to the Aniplex panel.

Aniplex of America


Aniplex PR team. Hiroe Tsukamoto (right).

As I was waiting for the panel to begin, Anime News Network (ANN) Editor Chris Macdonald sat right in front of me. I've run into him at other conventions over the summer. I greeted him, and we were trading war stories about this year's anime con season.

Thursday, August 5, 2010

SDCC 2010: Con Survival, Pop Candy Party, and Boris


San Diego, July 24 – I always assumed that con survival guides were weak veiled attempts at comedy. Come on… Do you really need someone to remind you of basic human functions like hygiene, hydration, and eating? It’s basic common sense. Even mindless Sims sprites know when to use the bathroom.

Then, the unthinkable happened. There was geek-on-geek violence in Hall H of the San Diego Comic-con. Stationed at the plushy table of the Giant Robot booth, I watched two squads of local police quickly marching across the convention center.

I’ve read quite a few con survival how to’s, and I don’t recall any lessons on self-defense (the zombie apocalypse ones don’t count). I guess it’s time to add some basic self-defense tips to those guides.

There were many rumors circulating in the exhibitor’s hall. The initial story described a confrontation ending in an attendee stabbing another one with a replica light saber (the geek’s weapon of choice). It’s perhaps the geekiest personal assault in history. When I read the actual news coverage, the victim was stabbed by a pen near his eye. He went to the hospital with minor cuts.

Wednesday, July 28, 2010

SDCC 2010: Crossroads and Connections


Plushy Stand at the Giant Robot booth

San Diego, July 22 – The San Diego Convention Center opened its doors for the first full day of Comic-con International. Standing behind the plushy Totoro (トトロ) dolls at the Giant Robot booth, I was prepared for the onslaught of attendees.

First David Choe Signing

Our first major event was a signing by David Choe. Choe has been a major artist and painter in the Los Angeles art scene for the last several years. His pop sensibilities and graffiti style artwork has garnered a huge following among both art collectors and street artists. It’s a balancing act that keeps Choe's work on the cutting edge of the avant-garde.


Line for Dave Choe signing

Even before Choe’s arrival, his fans were lining up for the event. They were eager to chat with the artist and get their stuff signed.

Monday, April 5, 2010

The Last Video Rental Store


JERSEY CITY, April 5 — The last local video rental store in my neighborhood is finally closing its door after nearly twenty years. It’s the latest victim of digital media and high speed internet distribution. It’s quite sad really. I spent most of my formative years renting VHS cassettes.

As soon as my dad bought our first Panasonic VCR, I remember spending most of my childhood walking the narrow aisle of the video store looking for interesting VHS tapes. It was only a dollar to rent a single VHS for a day, and it was a bargain.

I frequently rented martial arts, horror, and crappy B-movies. It’s an informal film education that shaped my taste as moviegoer. I spent my younger days watching rented movies like Chinese Connection, Blood Sport, Dracula Versus Frankenstein, Swamp Thing, and Godzilla 1985 (ゴジラ). According to my Netflix queue, my taste in movies hasn’t really changed much… Jeez.


In the early 1990s, I rented some of the first anime titles legally released by Central Park Media, AnimEigo, U.S. Renditions and Streamline Pictures. Most of the releases were OVAs like M.D. Geist, Bubble Gum Crisis, Appleseed, and Gunbuster. I also remember the anime section being labeled "Japanimation". Along with a local tape trading circle, the video rental store became a good source for my voracious anime addiction.

As I walk past the last local video rental store, it was holding a huge "going out of business" clearance sale for all their DVDs. Regular feature film DVDs were priced at $8.29, and Anime DVDs were going for $2.88 each. I'm going to miss it.

Thursday, January 31, 2008

The History of Korean Toys and Butt Cheeks on Astro Boy's Chest


NEW YORK, January 31 — The Korean Society had a new art exhibition called Toy Stories: Souvenirs from Korean Childhood. The exhibition was a visual study of the Korean toy industry in the 1970s and the 1980s.

They filled the gallery with Korean toys and games. It was literally an explosion of plasticer and vinyl paint, and I was ecstatic. Some of the pieces showed some wear; it wasn't the mint-in box condition. Some kid probably played with them twenty years ago, but they were still very cool.


Mach 5

When I studied each toy, I immediately notice the heavy influence of Japanese pop culture. It's not a surprise that Japanese pop culture has infected the Korean toy industry. The two countries were so close in a geographical sense. There had to be some strong influences from Japanese pop culture. They had Korean toy versions of Kamen Rider (仮面ライダー), Battle of the Planets, Gundam (ガンダム), and Ultraman (ウルトラマン).


Kamen Rider (仮面ライダー)



Battle of the Planets



Gundam (ガンダム)



Ultraman (ウルトラマン)

There were also some original Korean toys like Super Taekwon V (로보트 태권 V). Super Taekwon V (로보트 태권 V) was based on an original South Korean mecha cartoon called Robot Taekwon V. The show was very similar to the Japanese Mazinger Z (マジンガーZ) anime series.


Super Taekwon V (로보트 태권 V)

American cartoon and comic books also influenced the Korean Toy industry. The exhibit had Korean action figures for both Spider-man and Superman. The Korean versions of American action figures seemed a little different. The Superman Korean action figure looked strangely similar to the Astro Boy (鉄腕アトム) Korean action figure. They were probably made from the same mold to save money.

Wait, are those butt cheeks on Astro Boy's chest?


Astro Boy (鉄腕アトム) and Superman. Separated at birth? Butt cheeks!



Related Links:

Tuesday, December 25, 2007

REVIEW: Ishirô Honda's Latitude Zero

NEW YORK, December 25 — Finally, a Special Edition Double DVD of Latitude Zero (aka "Ido zero daisakusen") has been released in the United States (Release Date: December 11, 2007). It was released by Tokyo Shock, a subsidiary of Media Blasters.

Latitude Zero is an underwater tokusatsu adventure by Ishirô Honda, the director of Gojira. It's a sci-fi film centered on Latitude Zero, an Atlantis-like underwater utopia. It's a classic Toho Studios production.

First, I want to address the matter of the packaging. The packaging is pretty stripped down for a "special edition". I was hoping for more extras and liner notes, instead the box was filled with Media Blasters advertisements. This advertising stuffing included a fold-out catalogue and a DVD of trailers. It was disappointing.

When "cult" films such as Latitude Zero are transferred to DVD, they are frequently victims of poor packaging and stripped down DVD authoring. Media companies just produce these DVD releases with very little creativity or care. The Latitude Zero release follows this trend of bland packaging and presentation.

Tokyo Shock could have paid a writer and a graphic designer to create an interesting booklet and box cover. It would cost very little money to produce.

Let’s get back to the film...


Crew of the Alpha submarine.

Before I reviewed this film, I read a lot of internet reviews on Latitude Zero. Many mainstream movie reviewers gave this film a bad review. However, I don't think it's really that bad. Latitude Zero has its problems, but it's a decent film. It is just misunderstood.

I understand that Latitude Zero is not for everyone. For many mainstream movie goers, many standard Japanese tokusatsu films (such as Gojira) are perceived as too weird and sometimes incomprehensible. Guys wearing large rubber monster costumes are still a little alien to western audiences.

However, Latitude Zero is just a step beyond the standard tokusatsu fare. This film was Honda's attempt to create a mixture of a western style sci-fi adventure with Japanese visual effects. He was trying to target both an American and Japanese audience simultaneously.

Capt. McKenzie (Cotten) catches a bullet with his bare hands.

The cast was a unique mix of western and Japanese actors. The most notable western actors were Cesar Romero (The Joker from TV's Batman) and Joseph Cotten (Citizen Kane). They are joined by Akira Takarada (Gojira: Fainaru uôzu, Gojira, and Kingdom Hearts Video Games) and Masumi Okada (Brother Michael from TV's Shogun). Takarada is veteran Godzilla actor and a staple of Toho Pictures. His tokusatsu career spans the entire history of Godzilla films from the original 1956 Godzilla film to Godzilla: Final Wars.

The movie was also filmed in English, and many of the Japanese actors had to learn English. Some of the Japanese actors had the English script broken down into phonetic katakana in order to learn it. If you listen carefully to the Japanese actors, you will hear extra syllables and trailing sounds at the end of words. This is mostly due to learning English from reading the katakana phonetics.

Mutant humanoid bat henchmen.

The story of Latitude Zone begins in the Pacific Ocean. A research team is lowering a deep sea diving bell into the ocean. Two Japanese scientists (Takarada and Okada) and an American journalist (Richard Jaeckel) are diving into the deepest part of the ocean in order to study temperature shifts. An underwater volcano suddenly erupts, and their deep sea diving bell crashes to the bottom. They are quickly rescued by Captain Craig McKenzie (Cotten) and his uncanny submarine crew. After the rescue, the Alpha, McKenzie's submarine, is quickly pursued and attacked by the Black Shark, Doctor Malic's (Romero) submarine. An action filled underwater pursuit begins.

If you are fan of early sci-fi films, Latitude Zero will be a bizarre cinematic treat. Most of Latitude Zero's story deals with the concepts of a utopian society and the miracle of scientific progress during the early 20th century. The film portrays science as both a destructive force and a nurturing one. The ambivalent feelings toward scientific progress are a familiar theme to many sci-fi movie fans. In many respects, Latitude Zero is very similar to The Thing from Another World (1951), Voyage to the Prehistoric Planet (1965), and Forbidden Planet (1956).

Giant griffin versus a submarine.

This film also has a good helping of Kaiju fun. It is an Ishirô Honda film after all. The crew of the Alpha battles humanoid bat creatures, giant rats, and a large furry Griffin monster. Many kaiju fans will also recognize the orchestral score. Music for the film was provided by Akira Ifukube, composer for most of the Godzilla films.

Latitude Zero does suffer from some pacing issues. The exposition scenes are painfully slow in the movie. Honda tried to stuff a political message into the long dialogue scenes, but it was completely awkward. He was trying to argue that the Cold War has tainted the noble pursuit of scientific research and human governments could not be trusted. It was a little too didactic, and it was a drag on the story.

In the end, Latitude Zero is not for everyone. However, if you enjoy a bizarre cinematic sci-fi experience, I highly encourage you to pick-up Ishirô Honda's Latitude Zero.

Ohh... Did I mention that they have girls on trampolines!

Tuesday, July 31, 2007

Photon. The Light Shines!


NEW YORK, July 31 — Since the school year is about to start, I am getting teary eyed and nostalgic about my childhood. Wah ha ha. I remember a laser tag game called Photon in the 1980s. Photon was basically the "Cowboys and Indians" game with plastic electronic equipment. It consisted of receivers (chest module and helmet) and pistol shaped emitters. The emitters were fired at the receivers, and an alarm would be trigger by the receiver system. This indicated a hit, and eliminate the player from the game. It was the coolest thing since the Pet Rock.

There were Photon game centers everywhere. At its height, there were 45 photon arenas across the United States (not including the rival, Worlds Of Wonder's Lazer Tag).

Due to the lack of interest, Photon declined in popularity and died a slow painful death. However, there is still hope! A single functioning Photon arena still exists in Laurel, Maryland (near Washington, D.C.). It's called XP Laser Sport. It's only open to groups through reserved appointments.

Another Photon group is building a new Photon arena in Tulsa, Oklahoma. They are still constructing the arena, and they are soliciting donations through Paypal. Their official website: http://www.photon-qei.com/

The Photon craze also spawned a television tokusatsu show, which had a short run. On Saturday mornings, I remember getting up at 6:00 AM to watch this show. They always showed it with the Saturday morning cartoons. It consisted of an international cast and a uniquely Japanese production. The production quality was consistent with 80s tokusatsu shows like Kamen Rider Black. The bad costumes, bad make-up and awful special effects really bring me back to the 80s.

More Information on Photon:

Ohh... Did I forget to mention Photon chicks?
--
James Leung Man-Fai

Wednesday, July 4, 2007

REVIEW: Transformers Movie, 2007

4 JULY 2007 -- This is my quick and dirty review of the Transformers movie. Don't worry... no plot spoilers.  However, read at your own risk.  You've been warned.

The Good.  I went to the movie with the intension of seeing a decent tokusatsu (special-effects) movie, and it does deliver.  The audience was really involved in the film, and they cheered at the end.  It had lots of action and some good variations on the transformation.  The story is utter crap, but that is not the main reason someone watches a tokusatsu film.  They did bring back Peter Cullen to voice Optimus and other voice over actors from the original cartoon series.  If you want to see giant robots smashing everything in sight, the movie does not disappoint.  I did enjoy it on that level.

The Bad.  The main problem I had with the movie is marketing it as a "Transformers" movie.  It's not a Transformers movie.  I compare it to the Dean Devlin Godzilla movie because it is a good tokusatsu movie that is divorced from the original source material.  If they marketed the movie as a unique property, I would probably be more accepting of the movie as a whole.  Furthermore, the character design was too radically different from the original show (gen 1), and some of the character personalities were changed.  Their behaviors seem out of character for some of the Transformers.

Another problem I had with the movie was the slow pacing through the first hour (of a 144 min. film).  The first hour was a light "Dawson's Creek" episode focused on the human characters.  A lot of it could have been edited out for pacing and brevity.  Also, the movie introduced a lot of human characters that did nothing.  They didn't have a role or function in the movie.  They just appeared and faded into the background without any real contribution.  They definitely could have been edited out.  It would have made the plot more coherent.  

It also bothered me that the story is told from the point of view of the human characters.  In the cartoon series, the story is told from the perspective of the Transformers.  I found that element of the cartoon series made it very unique and different.  Since Astro Boy, anime has frequently allowed the audience to relate and sympathize on some level with the villains and nonhuman entities.  In Japanese story telling, the villain is not just evil.  There are usually circumstances that drive essentially good characters to perform evil acts (see Akira Kurosawa's "Stray Dogs").  However, Michael Bay probably wanted characters that the American audience could sympathize.  Therefore, the Transformers seem a little distant and cold.

The Ugly.  Although the CGI looks acceptable, there are some problems.  In some of the combat scenes, the fighting is frenetic and all over the place.  I had a hard time distinguishing between the different transformers.  Where does one end and the other begin?  This is the real problem with using extremely intricate mech designs.  Many of the fights become large sloppy blurs of twisted metal on the movie screen.  Some scenes remind me of Dragon Ball Z fights, which result in quick blurry motion lines on the television screen.  Too confusing...


Optimus Prime, Original Cartoon

Optimus Prime, 2007 Movie


The other problem is the relationship between the robot forms and the vehicle forms.  In the original cartoon, the vehicle designs relate highly to the robot designs.  For example, Optimus Prime is a semi-truck in vehicle form.  In robot form, Prime's torso still looks a lot like the cab of a semi-truck.  You can clearly see the balance of form and function.  This is the real genius of transformers.  The mechanics of the transformation were believable to a certain extent.  This translated well to the action figures.  They transformed the same way the cartoon did.  However, the movie disregards all sense of function for the sake of form.  The movie displays intricate mech designs and cool vehicles, but it's difficult to believe that the robot forms can mechanically change into the vehicles.

The conclusion. Well, I recommend everyone see the movie at least once as a good tokusatsu film.  It's fun, and big robots kicking ass is always cool.  However, it sucks as a Transformers movie, and they should stop marketing it as such...


For more information on Tranformers Movie, 2007:


--
James Leung Man-Fai

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