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Showing posts with label OEL. Show all posts
Showing posts with label OEL. Show all posts

Monday, October 18, 2010

NYCC 2010: Saturday Funnies


Ultraman (ウルトラマン) Cosplayer

New York, October 9 – Saturday is probably the busiest day during the New York Comic Con. I arrived early for many of the interesting panels including the Spotlight on Harper Collins, Digital Comics & Distribution, and Sushi Typhoon.

Vampires, Witches, and Zombies. Oh my...


Spotlight on Harper Collins. Seated (Left to Right): Erika Tsang (editor), Margaret Ronald (author), Jeaniene Frost (author), and Pamela Palmer (author).

I popped into this panel to check out the announcements and support my cousin Erika Tsang. She is an Executive Editor at Avon Romance. The panel announced several supernatural romance fiction titles such as Majorie Liu's In the Dark of Dreams, Jeaniene Frost's Side of the Grave, and Kerrelyn Sparks' Vampire Mine. Despite the romance nature of the imprint, the line was filled with sexy vampires, powerful witches, and zombies invasions. The trend in romance fiction is leaning towards the supernatural with the popularity of book series like The Twilight Saga and The Southern Vampire Mysteries (True Blood).

Monday, September 21, 2009

Anime Weekend Atlanta (AWA) 2009: Part 1: Anime Hell


State of the Manga Industry Panel with Carl Horn and Jonathan Tarbox

ATLANTA, September 18 – On a gloomy gray Friday afternoon, I attended Anime Weekend Atlanta (AWA) at the Renaissance Waverly Hotel. I started the convention by slowly browsing the dealer’s room looking over the latest anime and manga merchandise. I ran into Gerald Rathkolb, one of the Anime World Order (AWO) podcasting trinity. AWO is one of the most popular anime podcasts according to the recent Parsec Awards. He was accompanied by a dry witted Max as they were buzzing around some anime posters.

After some more dealers’ room reconnaissance, we went to the State of the Manga Industry panel which was being hosted by Carl Gustav Horn, Dark Horse Manga Editor, and Jonathan Tarbox, the former editor of Raijin Comics. They discussed some broad topics concerning the manga industry in America. Some of the more interesting points discussed were the production costs, market development, and the localization efforts. At the panel, we joined up with the remaining AWO trinity at the panel: Daryl Surat and Clarissa Graffeo.


AWO consists of the three persons in the one anime podcasting divinity


After the panel, I took a quick second to check into my hotel room and rejoined the AWO at Dave Merrill’s Western Influence on Anime panel. Merrill showed a variety of anime properties based on western literature such as Lensman, Superbook (アニメ 親子劇場), and Starship Troopers.

I was introduced to the amazing Tim Eldred, the creator of Grease Monkey and the biggest Space Battleship Yamato (a.k.a. Star Blazers) (宇宙戦艦ヤマト) fan ever. He was very cool. His knowledge of Yamato seemed limitless. I was a fan of the show and eagerly listened to his stories about Yamato fandom. He knew all the back stories about the production and the behind the scene details. I was captivated by the raw awesomeness of his Yamato knowledge. Tim runs the official Star Blazers website and does a webcomic of the show.


A bunch of us went to Marietta Diner for dinner. Daryl warned us that the portion were huge. I ordered a burger, and I got a huge plate of food. I only had few minutes to eat because Gerald had to get back to the convention. He was doing a panel on the History of Hentai. I ate very little of the burger before we had to rush back to the convention.

Gerald’s hentai (変態) panel was packed. At first he encountered a lot of technical problems with the projector set-up which really cut down on his presentation time. After Gerald got everything working, he went over a brief introduction of early hentai including Ukiyo-e (浮世絵) influences. He had to rush through many sections of his presentation.


He eventually got to Osama Tezuka’s hentai movies: 1001 Arabian Nights, Cleopatra (クレオパトラ), and Belladonna (哀しみのベラドンナ). This was the bulk of his presentation. I’ve seen stills and read about these movies on the internet, but this was my first time that I’ve actually watched the anime. The films were a bizarre alchemic mixture of bright colors, sex, and music. Being very trippy and experimental, they were quite a departure from Tezuka’s earlier works such as Astro Boy (鉄腕アトム) and Kimba the White Lion (ジャングル大帝). I highly suggest that any hardcore anime otaku must see these films. They are a fascinating look into the darker side of Tezuka’s genius.

Following Gerald’s hentai panel, I went straight to Dave Merrill’s Anime Hell. Daryl sent me a text message earlier stating that “Hell is where the heart is…” Therefore, I had to attend. Dave showed a hilarious mash-up of videos. I am legally prohibited from describing the panel. It’s just one of those things that you have to experience. However, there is one thing I will say… Dave played the opening sequence from Kikaider (人造人間キカイダー) and shouted, “If you know the words, sing-a-long! Switchy… On… 1… 2… 3…” I think only Dave and I were singing.

Monday, April 21, 2008

New York Comic Con 2008


NEW YORK, April 19 — Where can you find legions of Imperial Storm Troopers, Bleach Shinigami, Naruto geeks, video game first person shooter dorks, black Spider-man shirts, and middle aged men? The answer is the New York Comic Convention 2008 at the Jacob K. Javits Convention Center. This is probably one of the largest pop culture conventions in New York City.

After getting my badge, I examined the convention schedule. The convention schedule could be divided into four distinct parts: American comics, Manga, mainstream entertainment (movies and television), and kids entertainment (mostly scheduled for Sunday). Based on my unscientific observations of buying patterns and t-shirts, most fans can be categorized into one of these four main categories.

I took a quick browse through the dealer’s room and the artist alley. They had a health mix of toys, statues, comics, and DVDs. I usually don’t buy anything at convention because I hate impulse shopping. I always feel wretched after spending several hundred dollars on con merchandise.

In the Artist Alley, some notable artists were Peter Laird (creator of the Teenage Mutant Ninja Turtles), Jim Lee (artist, X-Men and Batman), and Mark Texeira (artist, Ghost Rider).

On to the panels, my first panel for this convention was the Del Rey Manga panel. They were marketing their latest acquisitions such as Wolverine Manga, X-Men Manga, Gakuen Prince, Sayonara Zetsubo-Sensei: The Power of Negative Thinking, and Me and the Devil Blues. The panel was lead by Associate Publisher Dallas Middaugh. I knew Dallas from several past Manga events in New York City, and he has always been very cool. Therefore, I wanted to support his work and attend his panel.

At the panel, I met up with some old friends from the Metro-Anime club, the local New York anime club. They seemed to be excited about the panel and Del Rey’s new titles. It was a good panel.

After I talked Dallas, I looked over to see a Ninja Consultant. Erin, the otaku hipster of the Ninja Consultants podcast, walked into the room. She was working the convention as traditional press and was planning to cover the next event, the Yen Press panel. It's always cool to run into the Ninja Consultants. I briefly greeted her and went to get some food.

The panels weren't too crowded. It was easy to move from panel to panel.

After a short break, I attend a few more panels until I lost my cell phone. I was at the Venture Brothers panel, and I freaked out. I got up and looked around. It was gone. I left the panel just before they started. I retraced my steps, but I couldn’t track it down.

I eventually made my way to the security office on the fourth floor of the Jacob K. Javits Convention Center. I talked to the head of security. They didn’t have it. So, I left my contact information with the security office. As I walked out of the security office, I ran into Ron Perlman (actor; Hellboy, Hellboy II: The Golden Army, and Blade II). All the convention volunteers were buzzing around him like flies. I don't think they knew his real name. They just kept addressing him as "Hellboy".

I wasn’t in the mood to fight through teenaged fan boys. I just returned to the panel rooms. Yikes... What happened? The popular panels were being swamped by convention attendees. I didn’t stand a chance against the hordes of fan boys, geeks, and dorks. Where did all these people come from? Damn… Resistance was futile, and I left the convention early.

On the whole, the convention seemed to be well run. Some of the event organization could have been better (especially the panels). There was no system of control. It was just a mad rush to get into any good events. I didn't want to be caught in that madness. I didn't want to slap the Camel clutch on a thirteen-year-old girl just to get into a Starship Troopers 3 panel.

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Saturday, November 3, 2007

Del Rey Manga panel at Kinokuniya

NEW YORK, November 3 — On a gray November afternoon, I visited the new Kinokuniya book store near Bryant Park. Kinokuniya is a worldwide chain of Japanese bookstores. This particular store was recently opened for business, and it had some nice features. The book store consisted of three floors of merchandise with a very big section of manga and anime on the second floor. It also had a cute little cafe area with packaged sandwiches and desserts.

Del Rey Manga panel. Photograph courtesy of Peter Tatara.

The main reason for my visit was a lecture panel given by Del Rey Manga. Del Rey Manga is the US manga publishing branch of the Random House Publishing Group. They localize and market hit manga titles such as Negima and Tsubasa.

Panelists included: Dallas Middaugh (Associate Publisher), Tricia Narwani (Publishing Associate), Ali T. Kokmen (Marketing Manager), Caron Harris (Production Manager) and April Flores (Associate Publicist).

I attended the panel with members from Detour Noir Studios, my newly formed graphic novel/animation studio. We were interested in hearing the process of Del Rey Manga's operation, and they were very detailed about their process. They even discussed the uses of five-color cover art versus the standard four-color American publishing standard. I found the panel to be very informative.

The Del Rey panel also heavily pushed Jason Thompson's Manga: The Complete Guide. They mentioned it almost twenty times throughout the discussion. Thompson, a regular contributor to Otaku USA Magazine, covers all the manga reviews for Otaku USA. Check out his manga reviews in the latest Otaku USA. They are very informative and insightful.

At the end of the panel, they opened the floor to questions. Most of the questions were focused on the creative side of the manga industry. I assume some audience members wanted to break into the industry as Original-English-Language Mangaka. However, the panelists only handled the publishing side of Del Rey Manga. They had very limited knowledge of the creative aspects to the manga industry. Some of the audience seemed disappointed at their answers.

Cosplay Day. Photograph courtesy of Peter Tatara.

In addition, it was Cosplay Day at Kinokuniya. Customers got a discount on merchandise for cosplaying. There were quite a few Naruto cosplayers and cat girls at the book store. Kinokuniya's promotional gimmick was further perpetuating the addiction of cosplay.

Finally, I ran into Peter Tatara, Programming Manager for the New York Anime Festival, and his girlfriend again. New York City is really a small place (overcrowded with over 8 million human beings). I guess our interest just overlap, and we just run into each other at anime/manga events. He was involved with promoting the New York Anime Festival. It was really cool to see them again.

Photographs courtesy of Peter Tatara.

Monday, October 8, 2007

Laziness and Humidity

NEW YORK, October 8 — Damn, I've been really lazy lately... Grrr. It doesn't help that the weather in New York is hovering in the high 80s (degrees Fahrenheit) with humidity in the 80% range. It's October! Frickin' October people. I think Al Gore was right about the whole global warming thing.

It also doesn't help that my custom built PC is constantly over heating. It makes the whole place five degrees higher than the outside temperature. Don't ask about the cooling system. It works. I've pushed the limits of air cooled systems. The next step is the water/liquid cooled units. I'm fighting the urge to move to a liquid system. If I have a cylinder of water near my desk, I might get the idea to drink from it.

I've fallen into procrastination mode. I've got to fight my reckless laziness. I've got to be more productive! Here is a picture of my desk:



I'm working on my current graphic novel project. I didn't pencil the work. I'm doing layouts and inking.